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Influenced by
Golden Dawn: the second confluence
1888
fed into
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B.O.T.A. (Case)
1922

B.O.T.A. (Case)

1922
  • Founded: 1922, New York. Headquartered in Los Angeles from the 1930s.
  • Founder: Paul Foster Case (1884 to 1954). Succeeded by Ann Davies (1954 to 1975).
  • Family: Golden Dawn branch.
  • Still active: Yes. Correspondence lessons and study groups worldwide.

What it is

Builders of the Adytum is a correspondence school of Western mystery teaching built around the Tarot, the Hebrew alphabet, and the Tree of Life. "Adytum" is the Greek word for the innermost chamber of a temple, the part only the priest entered. The name is a statement of purpose: the school exists to help students build that inner chamber in themselves through patient daily practice rather than through dramatic ritual.

Paul Foster Case was an initiate of the Golden Dawn's American successor order, the Alpha et Omega, and rose quickly within it. He left in 1922, in a dispute with its leadership, and founded B.O.T.A. the same year. Everything the Golden Dawn had taught him about Tarot and Kabbalah came with him. He then spent the next three decades reshaping it into something quieter, more disciplined, and more suited to a student working alone at a kitchen table.

What it is made of

B.O.T.A. sits squarely on the Golden Dawn branch, and it is worth being precise about what that means.

  • The correspondences are the Golden Dawn's. Which Hebrew letter goes with which Tarot card, and which planet sits on which letter, are carried over intact from the 1888 system. Case did not go back to the Sefer Yetzirah to check them. He inherited them, trusted them, and built on them.
  • The Tarot is Waite's, redrawn. The B.O.T.A. deck, drawn by Jessie Burns Parke under Case's direction, keeps the imagery of the Waite deck but is printed in black and white so that each student colours their own set by hand. The colouring is a lesson in itself.
  • The Kabbalah is Christian and Hermetic. Case's Tree of Life is the Renaissance and Golden Dawn version, not the Jewish one, and he reads it through a broadly Christian mystical lens.
  • The structure is Masonic. Case was a Freemason, and B.O.T.A.'s graded lessons, its oath of secrecy, and its local groups (called Pronaos, another temple word) follow the familiar lodge pattern.
  • Some of it is Case's own. The colour and sound scales, the "Pattern on the Trestleboard" affirmations, and the Cube of Space meditations are his contributions, and they are original work.

How it is practised

Students who have written to us describe five things they were actually asked to do.

1. Colour the Keys. The first lessons have you colour the twenty-two Major Arcana by hand, following exact instructions for each area of each card. The theory is that colour enters the mind below the level of words, and that the hours spent colouring plant the images where reasoning cannot reach.

2. Meditate on one Key at a time. Each card is studied for weeks: its Hebrew letter, its number, its assigned colour and musical tone, its position on the Tree. The student sits with the image daily and records what arises.

3. Work with sound and colour together. Case assigned a colour and a musical note to each letter. Later lessons combine them: intoning a note while visualising its colour, sometimes while holding a specific Key in mind.

4. Repeat the Pattern on the Trestleboard. A set of eleven short affirmations, one for each of the ten spheres of the Tree plus the source above them, recited daily. Many students describe this as the part of the work that stayed with them longest.

5. Study the alphabet as a machine. Later courses treat the Hebrew letters as components: the Cube of Space arranges them on the faces, edges, and centre of a cube; other lessons cover number values, the Tree of Life in detail, and an approach to astrology and alchemy read through the same correspondences.

Ritual exists but is minor. Pronaos groups perform simple ceremonies; there is no evocation, no summoning, and nothing resembling the Solomonic material found further down the Golden Dawn branch. That restraint is a large part of why Case has the reputation he does.

What students value

Across the comments and messages we have received, the same points recur. The pace is slow and the school does not rush anyone. The emphasis on doing the work yourself, rather than being told what a card means, produces people who can think. And Case's writing is clear. Among Golden Dawn teachers he is the one most often described as the grounded one, and that description is fair.

Where the wall tends to appear

It also recurs that after several years students hit something they cannot name. Two patterns show up.

The first is the correspondences. A student who has meditated for years on a card as belonging to a particular planet eventually reads the Sefer Yetzirah, or a scholarly edition of it, and finds that the text assigns the letter differently. The practice was sound. The map underneath it was inherited from 1888 rather than from the source it claims.

The second is the ceiling. B.O.T.A. is designed to be done alone, from lessons, under an oath. That produces self-reliance, which is good, but it can also leave a mature student with nowhere to take their questions. Dialogue is not part of the design.

Neither of these is a reason to regret the years. Case built a genuine method. If the method has carried you somewhere real, it will carry you across to a corrected map without much loss, because the discipline was always the point.

Read next on this map

Sources

  • Paul Foster Case, The Tarot: A Key to the Wisdom of the Ages (1947).
  • Paul Foster Case, The True and Invisible Rosicrucian Order (1927; revised 1933).
  • Paul Foster Case, The Book of Tokens (1934).
  • Builders of the Adytum, official history and course outline at bota.org.
  • Peter Hayman, Sefer Yesira: Edition, Translation and Text-Critical Commentary (2004), for the attributions as the text gives them.

Rooted in: Golden Dawn: the second confluence.